Wildflowers don't cry

I once knew a girl who walked in the woods.

She would remind the sun to wake up; without her, it might not make it above the horizon. So winter Minnesota mornings she stepped through oak trees; frozen pond, frozen branches, frozen sun.

Frozen.

But also agonizingly alive, with sunlight glancing daggers off bitter snow, making eyes sting and cheeks burn hot by unmixed energy and light. (You know what this is; the purer life is, the more it can hurt; this is the great irony.) When she breathed in air breathed out by pine trees, she could feel the scent, like you feel music or light or a bleeding heart.

Her favorite wildflower was the bleeding heart; it always had been since it grew wild around the trees she walked among as a child. Her grandmother told her its name that afternoon gardening by the barn, and she never forgot bleeding hearts. Not others’. Not her own.

She gave her own spirit away, once, twice, more; to people, to dreams, but it was dropped and stepped on and now bled—was still bleeding—like the wildflowers. She asked Jesus about the pain, and He told her about her heart that was no longer hers. Take a breath, take it back, and don’t make the same mistake again.

Her eyes are dry, because wildflowers don’t cry.

Today unbroken snow rests, waiting for mice and leaves to draw on it, and she walks on the covered path and crushes ten trillion snowflakes, ten trillion marks of the holiness of the world. Once she made a snow angel, but it didn’t look much like an angel; untouched snow seemed more divine in the end, so she didn’t do it again. Destroying beauty hurts too much, especially if your heart already bleeds.

I knew a girl once who remembered a poem she heard a long time ago.

Blessed is the road that keeps us homeless.
Blessed is the mountain that blocks our way…

Blessed are the night and the darkness that blinds us.
Blessed is the cold that teaches us to feel…

Blessed is this shortest day that makes us long for light.
Blessed is the love that in losing we discover.

The sun is above the horizon now, has burned off dawn’s golden light, and underneath the snow are bleeding hearts waiting for spring.

A world where you could run

For now we see in obscurely in a mirror, but then it will be face to face. Now I know partly; then I will know fully, just as God has fully known me. 

~1 Corinthians 13:12

Mourning doves speak, and I don’t catch their words; I get so frustrated when I cannot understand, and sometimes I stop trying. The doves bounce on their birch branches, crying with frustration over my stupidity: “Why can’t she hear us?”

I feel like I live in one of those dreams I used to have when I was eight, when some awful man was trying to kidnap me—or a witch with wild hair to grab me—or a train rushing down on me—and I couldn’t run away.

I knew I could run—I remembered faintly that in some other world there was running, as there was sunlight and wild mountains and prairie grass at noon—and I knew, somehow, that in that impossible, forgotten otherworld that everyone around me did not believe existed—I could run. Though my mind was locked away from it, my heart was still raw to the touch of a half-remembered hope: It remembered the world where I could run.

I knew I was born to run. It’s the knowing that was the worst, because in your dream, there is no question that in that other world, you were able to run. You haven’t forgotten, and you never will; you just want to go home.

Or perhaps it is like when you cannot remember a word you know exists. You’re not stupid. You could use a different word, get by, move on, rush forward, not take the time to say what you really mean. But you can’t. There is that feeling behind your soul and your words aren’t saying what you mean. There is a deeper reality and it just crashed into your own, unable to stay out any longer; “the Lord knows what He is after.” It’s the reality behind your words, the place of true meaning.

And you try to reach for that word—that deeper place—the one that will let you finally be at rest—the word you were meant to say, or, perhaps, the world in which you were meant to live. You don’t know what that word—that world—is or how to find it or if you ever will. In fact, there is only one thing you do know: there is another world.

So I listen to the doves when they try to tell me of the hawk who disturbed their breakfast, and I watch a December sunrise and try desperately to think of in which other world I’ve seen it before, and I fly in a plane and wonder why the sunlight reflecting off the tops of the clouds seems so familiar—and why primroses pushing through matted oak leaves are supposed to make me cry—and why the princess in the stories was supposed to be me—and why music makes me homesick for a place I’ve never been.

It makes me think of what I did to forget, to forget home. What adventure I had—what mistake I made—to suffer such amnesia.? How did I get here, so far from my true world? And I can only conclude that this must be a sort of dream, a mirror land, in which my greatest calling is to go home.

“The Eagle is right,” said the Lord Digory. “Listen, Peter. When Aslan said you could never go back to Narnia, he meant the Narnia you were thinking of. But that was not the real Narnia. That had a beginning and an end. That was only a shadow or a copy of the real Narnia, which has always been here and always will be here… And of course it is different; as different as a real thing is from a shadow or as waking life is from a dream.” 

It was the Unicorn who summed up what everyone was feeling... "I have come home at last! This is my real country! I belong here. This is the land I have been looking for all my life, though I never knew it till now. The reason why we loved the old Narnia is that it sometimes looked a little like this. Bree-hee-hee! Come further up, come further in!"

~The Last Battle 

How do you feel the sunrise?

And I wonder—when lights go down, and I hug my knees to my chest and fear who I am and my deepest desires—and I am a star who has left her constellation and cannot find her way home.

Home—where mocha sunrises are greeted by silence and prayer, where stress is seen as sin like we always wished it were, and you see your reflection in the pond—the reflection as in a mirror, your truer self—and you finally know who she is.

And in this life you walk down the street looking strangers in the eye, for you know who you are, while taking the greatest risk you ever have—to Live. For it is easier to live in painful rules that bind, for away from them is fearful freedom, the sort of life not dictated by another and so not safe.

Good, perhaps, but never safe.

And pain is easier than fear—because it is easier to seek for strength to merely endure than it is to risk being wrong about what it means to live alive, to risk losing everything you stayed up late nights for and prayed tears for.

And you wonder at a world that seems the antithesis of who you are—or know you are, somewhere, if you can find her and set her free—and question how it is you live so you feel the sunrise.

So you stay behind rules in the half-lived life, ordering yourself around everything but yourself, and you wonder why God is silent.